Introduction
Veteran Broadcaster Secures Coveted 'gold-logie' in Australian Television's Night of Nights By [BBC Entertainment Correspondent Name] Sydney, Australia Veteran actor Lynne McGranger, widely recognised for her decades-long role in the serial drama Home and Away, has secured the coveted 'Gold Logie' for Most Popular Personality on Australian Television at the 65th TV WEEK Logie Awards, held in Sydney on Sunday night. The deeply emotional win, which followed a lengthy career spanning over 32 years on a single programme, coincided with the actor's planned departure from the role that made her a household name, transforming the public vote into a national farewell and tribute to her enduring popularity. The Gold Logie, considered the pinnacle of public recognition in Australian broadcasting, is unique among major global entertainment prizes as its winner is determined entirely by audience votes. McGranger’s victory broke a run of wins by presenters of popular reality and comedy formats, affirming the deep connection the public maintains with the long-form drama genre, often referred to as ‘soap opera,’ which remains a staple of free-to-air television. A Career Defined by Consistency McGranger has played the role of Irene Roberts on the Seven Network’s Home and Away since 1993, making her the longest-serving female actor in any Australian drama series. Her character, a beloved matriarch known for dispensing practical advice and navigating continuous crises in the fictional seaside town of Summer Bay, has resonated with multiple generations of Australian viewers. This lifetime of commitment to a single character and programme formed the bedrock of her campaign. The announcement earlier this year that McGranger would be departing the show after more than three decades transformed the public voting period into a widespread acknowledgment of her contribution to the Australian cultural landscape. The actor’s victory was not singular; she also took home the Silver Logie for Best Lead Actress in a Drama, underscoring the critical recognition of her performance in her final year on the show.
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In a field dominated by high-profile competitors—including popular presenters Hamish Blake, Sonia Kruger, and news anchor Ally Langdon—McGranger’s appeal demonstrated the powerful loyalty of the daytime and prime-time drama viewership. Speech Reflects Industry History and Humour In a characteristically honest and humorous acceptance speech, McGranger acknowledged the unexpected nature of her win, joking that she was simply told to "wear a pretty dress" and implying she had not prepared a comprehensive address. The moment proved highly resonant with the audience, offering an unscripted contrast to the ceremony's traditional glamour. "I am thrilled and honoured," McGranger said, before reflecting on her journey. "This is going to be pride of place next to my 1974 Wagga Wagga Drama Festival Best Actress award. That’s when I thought, ‘This acting thing is kind of good. Maybe I will be better at it than I am at teaching. '" She also dedicated a significant portion of her speech to defending the value of long-running serial dramas, often dismissed by critics. "It is a soap, but you know what? It gives Australian actors and crew so much work, and we are so proud of it.
38 years the bloody thing has been going for. It just won’t die. Fantastic," she stated, earning a standing ovation from members of the industry. The Divide Between Popularity and Industry Choice The Gold Logie winner often serves as a barometer for the ongoing dialogue surrounding Australian television—the tension between commercially popular, publicly-voted talent and the critically acclaimed, jury-awarded content. While McGranger took the public’s top prize, the ABC’s critically lauded comedy Fisk dominated the ‘Best’ (industry-voted) categories, securing five statues, including Best Scripted Comedy Program and individual awards for lead actors Kitty Flanagan and Aaron Chen. Dr Eliza Harding, a media analyst specialising in Australian cultural studies at the University of Sydney, suggested the 2025 results highlight a nuanced viewer landscape. “The Gold Logie remains purely a popularity contest, and this year, the public overwhelmingly voted for nostalgia, longevity, and genuine affection,” Dr Harding reported. “It wasn't a vote for the best show of the year, but for a personality who has been a constant, comforting presence in the lives of millions. Her win, paired with the critical sweep by Fisk, shows a mature industry where both commercial accessibility and artistic excellence are being recognised, albeit through separate mechanisms.
” The analyst further noted the significance of the demographics of the winner. McGranger is one of the oldest recipients in the award’s history, and the victory follows a year where fellow nominee Hamish Blake, the only male in the final field, had publicly urged voters to back one of the nominated women. Looking Ahead McGranger’s win has solidified her legacy within Australian broadcasting just as she steps away from her defining role. Her final episodes as Irene Roberts are scheduled to air in mid-August, bringing to a close one of the most significant character runs in Australian drama history. The 65th Logie Awards were a night of dual celebration: a tribute to the enduring heart and public connection represented by the Gold Logie, and a recognition of a vibrant, diverse slate of programming acknowledged by industry peers. For fans of McGranger and Home and Away, the Gold Logie stands as the final, emphatic accolade for a career built on consistent, popular performance.
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